In the exhibition Danish Chromatism at the Triennale in Milan in 2013, we used colour in the same way Joseph Albers did in his paintings. The colours create perspective and interact with one another – the blue becomes more blue next to the red, etc. Our goal was to present Danish products without relying overmuch on the aesthetics of wood. In the exhibition, we also faced the challenge of mixing 100-year-old classics with completely new products, which we did by using of bold colours to create consistency among the varying objects.